一般財團法人東方學會 本文へジャンプ

Transactions of the International Conference of Eastern Studies
            国際東方学者会議紀要

  Transactions of the International Conference of Eastern Studies (former title: Transactions of the International Conference of Orientalists in Japan No. I, 1956~No. XXXIX 1994) records the proceedings of the Conference, which is sponsored annually by the Tōhō Gakkai. The full texts and abstracts of research papers read at the Conference and chairpersons’ reports of the symposiums, paper session, and seminars are included.  

  No. I, 1956-No.LVII, 2012, 14.8×21cm, approximately 144 pp., per issue.
  Price: Nos. I-XXV, ¥1,900 each
      Nos. XXVI, XXVII, ¥2,000 each
      No. XXVIII・XXIX, ¥2,200
      Nos. XXX-XXXIX, XLI & XLII, ¥2,400 each
      No. XL, ¥2,600  
      No.s. XLIII-  ¥2,000 each


No. 62 (Published Dec. 2017)


62nd International Conference of Eastern Studies

Opening Address and Congratulatory Message

Research Papers (full texts):
NAGATA Tomoyuki(永田知之), Differences between old manuscripts and printed editions of the Han-shu: With a focus on the text of a Tun-huang manuscript and editorial glosses in a Southern Sung edition

Steffani M. BENNETT, The politics of prayer: Sesshū’s Tōyō’s 雪舟等楊Thirty-three Kannon paintings and Ming-dynasty illustrated Guanyin Sutras

Other Papers Presented (abstracts):

〈Symposium I〉

ZHANG Xiaoyan (張小艶), An investigation into the surname “Chiu” 就 seen in Tun-huang documents

ZHAO Jing (趙晶), T‘ang-dynasty official procedures for dealing with dead livestock as seen in documents from Tun-huang and Turfan: Reexamining the reconstruction of Articles from parts of the T‘ang statutes and T‘ang ordinances

YAMAMOTO Takako (山本孝子), Changes in the format of Chinese epistolary documents from the late T‘ang and Five Dynasties to the Sung: Through an examination of P.3449+P.3864

IWAO Kazushi (岩尾一史), Tun-huang manuscripts of the Old Tibetan Chronicle and Old Tibetan Annals and their dates

〈Symposium II〉
JU Chiou-er (朱秋而), The Confucian poets Matsunaga Sekigo 松永尺五 and Kinoshita Jun’an 木下順庵: Their perceptions of Japanese and Chinese and the formation of their poetic styles

TAKAYAMA Daiki (高山大毅), The Hayashi 林 family’s question-and-answer style of writing: With a focus on Hayashi Gahō 鵞峰 and Dokkōsai 読耕斎

YAMAMOTO Yoshitaka (山本嘉孝), Muro Kyūsō’s 室鳩巣 poems about the mid-autumn moon

MIYAZAKI Shūta (宮崎修多), Hattori Nankaku’s 服部南郭 reception of Po Lo-t‘ien’s 白楽天 poems

FUKUI Tatsuhiko (福井辰彦), The repercussions of Yamamoto Hokuzan’s 山本北山 Sakushi shikō 作詩志彀

IKEZAWA Ichirō (池澤一郎), The precision of research into T‘ang-Sung poetry seen in the poems of Ōnuma Chinzan 大沼枕山: With a focus on rhyme-matching poems and poems on objects

〈Symposium III〉
SUZUKI Noriko (鈴木則子), Developments in early modern balneotherapy in Japan and the transformation of hot-spring cures

NAGANO Hitoshi (長野仁), The transformation of Japanese acumoxa brought about by the adaptation of passages from Chinese medical works of the Ming period

SHIN Dongwon (申東源), From hyangyak 郷薬 (local medicine) to tongŭi 東医 (eastern medicine): The development of self-awareness in indigenous medical traditions in premodern Korean medical history

MAYANAGI Makoto (真柳誠), The traditions and characteristics of Vietnamese medicine

〈Symposium IV〉
SAITŌ Akira (斎藤明), The translation of Buddhist texts, past and present: Chinese translations and Tibetan translations

FUNAYAMA Tōru (船山徹), Two sides of Chinese translations of Buddhist texts: What comes to light beneath the surface

BABA Norihisa (馬場紀寿), Resisting translation: The notion of Pāli as the language of the Buddhist scriptures in the Mahāvihāra school of Theravāda Buddhism

YE Shaoyong (葉少勇), What appears between Sanskrit and Chinese translation: A case study of Kumārajīva’s translation of the *Madhyamakaśāstra

YOSHIMIZU Chizuko (吉水千鶴子), The background to the transmission of ideas through Tibetan translations of Buddhist texts: Translation and instruction

Stefano ZACCHETTI, Reading obscure translations in early medieval China

〈Asian Art History Session〉
KUMASAKA Satomi (熊坂聡美), Development of medium-sized caves with niches in three walls of the Yün-kang 雲岡 grottoes

MA Wei (馬偉), A study of a stele engraved with images of a nun and Dharmākara: An inquiry into styles of Buddhist statues

LUO Ling (羅玲), A “back-screen” Buddhist sculpture with an inscription dated T‘ien-chien 天監 15 of the Liang 梁 discovered along lower T‘ung-jen 同仁 road in Ch‘eng-tu 成都

LEE I-jan (李宜蓁), Hsüeh An’s 雪庵 Lo-han t‘u-ts‘e 羅漢図冊 and the Dhūta teaching of the Yüan period

MARUYAMA Nobuhiko (丸山伸彦), A historical reexamination of the painter Miyazaki Yūzen 宮崎友禅

Chairpersons’ Reports:  
Symposium I: The Current State of Tun-huang Studies (TAKATA Tokio 高田時雄)

Symposium II: Ideas and Expression in Early Modern Kanbun Literature (GŌYAMA Rintarō 合山林太郎)

Symposium III: Medical Treatment and Its Indigenization in the Sinographic Cultural Sphere (MAYANAGI Makoto 真柳誠)

Symposium IV: Aspects of the Translation of Buddhist Texts: The Situation in the Northern and Southern Traditions (SAITŌ Akira 斎藤明)

Asian Art History Session (NEADACHI Kensuke 根立研介)

Lectures at the Kansai Session (abstracts):
Samuel MORSE, Replications: Sacred images and the Buddhist sculpture of the Chūsei period  

YOSHIKAWA Shinji (吉川真司), Current thinking on Japan’s “national culture” during the Heian period


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No. 61 (Published Dec. 2016)


61st International Conference of Eastern Studies

Opening Address and Congratulatory Message

Research Papers (full texts):
WANG Zhenzhong (王 振忠): Ryukyuan Chinese works and the study of Chinese society

YANG Ya-pei (楊 雅琲): The significance of paintings of the Queen Mother of the West: With a focus on the Kanō school in the seventeenth century

Other Papers Presented (abstracts):

〈Symposium I〉
SAKUMA Hidenori (佐久間秀範): Valabhī’s Sthiramati and the commentator Sthiramati

MINOURA Akio (箕浦暁雄):The commentator Sthiramati who engaged in dialogue with Vasubandhu

Martin DELHEY: Sthiramati’s identity: With special reference to the gotra problem

KITSUKAWA Tomoaki (橘川智昭): On the formation of views of Sthiramati in East Asia: With a focus on his links with Paramārtha

MORO Shigeki (師 茂樹): Quotations from Sthiramati’s commentary on the Abhidharmakośa¬bhāṣya in East Asian works and their reception in Japan

ITŌ Yasuhiro (伊藤康裕): On distinctive features of Sthiramati to be seen in the Ta-sheng Chung-kuan Shih-lun 大乗中観釈論

〈Symposium II〉
LU Qin: Chinese character encoding beyond borders

Lee COLLINS: Preservation of traditional Vietnamese writing in the digital age

IKEDA Shōju (池田証寿): The HDIC database project

TAKADA Tomokazu (高田智和): Initiatives for standardizing the encoding of Chinese characters for administrative use in Japan

SUZUKI Atsushi (鈴木 敦) & SUZUKI Shun’ya (鈴木俊哉): The standardization of ancient Chinese characters and attendant problems

〈Symposium III〉
ZHAO Jing (趙 晶): An examination of historical material evincing the restoration of the T‘ang statutes: Focusing on the Ta T‘ang K‘ai-yuan li 大唐開元令

NISHIMOTO Tetsuya (西本哲也): The animal management system as seen from a comparison of the Japanese and T‘ang statutes on stables and pastures

MARUYAMA Yumiko (丸山裕美子): The movement of people in East Asia and the culture of the Nara period: With a focus on immigrants from Paekche and Koguryŏ

NISHIMOTO Masahiro (西本昌弘): “National Culture” as seen from East Asia

KAMIKAWA Michio (上川通夫): The turn in Buddhism during the Regency period

〈Symposium IV〉
CHEN Zhenghong (陳 正宏):The discovery and publication of Ryukyuan Chinese works

TSUZUKI Akiko (都築晶子): “Reports” (teibun呈文) and textual sources: Another perspective on the early modern history of Ryukyu

TERU Hiroshi (輝 広志): A fresh examination of the national academy in Shuri

SHIMAMURA Kōichi (島村幸一): Compilatory projects undertaken by the Ryukyu government in the first half of the 18th century

〈Asian Art History Session〉
HUANG Xia (黄 夏): On the background to the “northern Ch‘i 北斉 painter” Ts‘ao Chung-ta’s 曹 仲達 study of painting and his painting style and achievements as a painter

HAN Bo-kyung (韓 普景): The Ch‘ing period Wan-shou Sheng-tien T‘u-chüan 万寿盛典図巻 and the aims behind their production

ZHAO Yuping (趙 玉萍): On the iconography of a painting of Suigetsu Kannon 水月観音 held by Enshōin 円生院, Nara

WANG Huikai (王 輝錯): Overseas exhibitions of early Japanese art sponsored by the Agency for Cultural Affairs as seen from the perspective of museology: With a focus on the 1953 Exhibition of Japanese Painting and Sculpture that toured the United States

SHIMAO Arata (島尾 新): Muromachi landscape scrolls in the style of Hsia Kuei 夏珪: From the perspective of “East Asia”

〈8th Forum of Japanese and Chinese Scholars on Ancient Chinese History〉

Plenary Session
王 震中 (WANG Zhenzhong): 中國王權的誕生―夏商西周王權研究新的理論視角 (The birth of Chinese kingship: New theoretical perspectives in research on kingship in Xia, Shang, and West Zhou)

藤田勝久 (FUJITA Katsuhisa): 《史記》與出土資料的方法論 (The Shiji and methods for dealing with unearthed materials)

金 秉駿 (KIM Byung-joon): 出土資料是否正確?―與《史記》先秦諸國初期記錄比較 (The narrative structure of the “Xiongnu Liezhuan” in the Shiji: Consideration of archaeological findings on Xiongnu)

Section I
王 啓發 (WANG Qifa): 從社會史到思想史―侯外廬思想史研究的視野與特色 (From social history to intellectual history: The horizens and characteristics of Hou Wailu’s research on intellectual history)

吉澤誠一郎 (YOSHIZAWA Seiichirō): 白鳥庫吉的東洋史學―從史學史來探討 (Shiratori Kurakichi’s research on East Asian history: Observations in terms of the history of historiography)

徐 国利 (XU Guoli): 新考據派史家論宋學與清學及中國現代學術的建立 (Song learning and Qing learning as seen from modern and contemporary scientific views and the revelation of their methodology)

西山尚志 (NISHIYAMA Hisashi): 疑古與釋古 (Doubting antiquity and interpreting antiquity)

李 紅岩 (LI Hongyan): 従社會性質出發― 一種主導性的史學方法 (Starting out from social qualities: A leading method in historical studies)

牧角悦子 (MAKIZUMI Etsuko): 文學史這一方法論 (Literary history as a methodology)

仙石知子 (SENGOKU Tomoko): 中國近世小説研究的一個視角 (A perspective on the study of early modern Chinese fiction)

薛 瑞澤 (XUE Ruize): 民國時期中國文化史研究綜論 (An outline of the study of China’s cultural history during the Republican period)

渡邉義浩 (WATANABE Yoshihiro): 中国貴族制與文化資本論 (China’s aristocracy and the scope of cultural capital theory)

汪 學群 (WANG Xuequn): 二十世紀八十年代以來中國思想史書寫方法之反思 (Reflections on methods of writing about China’s intellectual history since the 1980s)

Section II
郝 春文 (HAO Chunwen): 敦煌寫本中形近字同形手書擧例 (A study of characters with similar stroke patterns in Dunhuang manuscripts)

岸本美緒 (KISHIMOTO Mio): 如何將傳統中國的經濟秩序模式化?―20世紀中葉日本學界的一個嘗試 (How to model the economic order of traditional China)

陳 峰 (CHEN Feng): 宋代東宮虛化現象探究 (An inquiry into the phenomenon of the transformation of the Eastern Palace into a nominal entity during the Song)

趙 現海 (ZHAO Xianhai): 二十世紀長城研究范式變遷與時代思潮 (Paradigm changes in 20th-century research on the Great Wall and the Zeitgeist)

小島 毅 (KOJIMA Tsuyoshi): 作爲方法的溝口雄三 (Mizoguchi Yūzō as a method)

高 凱 (GAO Kai): 高敏先生史學思想淺析 (A rudimentary analysis of professor Gao Min’s ideas about the study of history)

Chairpersons’ Reports:
Symposium I: Sthiramati: Fanct and Fiction (SAKUMA Hidenori 佐久間秀範)

Symposium II: Towards the Construction of a Common Intrastructure for CJK Ideographs in the Sinographic Cultural Sphere (SHIMODA Masahiro 下田正弘)

Symposium III: Japanese Culture in the Context of East Asia, with a Focus on the Nara and Heian Periods (ŌTSU Tōru 大津 透)

Symposium IV: Newly Discovered Chinese Sources from the Ryukyus and Rereading Ryukyuan History (TAKATSU Takashi 高津 孝)

Asia Art History Session (NEDACHI Kensuke 根立研介)

8th Forum of Japanese and Chinese Scholars on Ancient Chinese History: The Methodology of Studying Chinese History (WATANABE Yoshihiro 渡邉義浩)

Kansai Session (abstracts):
Wolfgang SCHAMONI: Traditions of Autobiography in 17th-Century Japan

YOKOCHI Yūko (横地優子): Harṣavardhana and Goddess Cults



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